Single: SP’s – Spirit World
“Spirit World” sounds like it’s beaming in from another dimension, and once those drums kick in, there’s no mistaking SP’s for anyone else.
“Spirit World” sounds like it’s beaming in from another dimension, and once those drums kick in, there’s no mistaking SP’s for anyone else.
‘Melancholy’ delivers the listener to a world of wan-faced, sun-shy boys in national health spectacles singing sad songs to even sadder souls sat in their bed sits.
Guitar melodies jingle and sparkle like confetti, creating an almost psychedelic vibe that coats your brain with heavy syrup.
With a video full of public access quirkiness and a track of post-punk perfection, Tower Defense sings a warning about the dangers of too much TV.
An anthem in waiting, Still In Error is a potent combination of parts bolstered by rock n roll pedigree and invaluable indie rock experience.
The second single of the legendary indie band’s comeback album couches obscurity in a collage of spoken-word repartee and effervescent guitars.
Azure Rose shines on “Villains,” blending mesmerising guitars and a tight groove into an ethereal and deeply satisfying indie rock journey.
“Pure air” is the kind of track where the production of the statement is as much part of the statement as the lyrics themselves.
To me, “of the pines” explores attachment and blame with a tenderness that never tips into self-pity. Lines like “you must treat me kinder than other men, the ones who followed me into the wood” are vivid and specific, pulled from somewhere personal.
Collins voice is soft and deliberate, and the way she articulates her words sounds great on the brain.
Indian quartet Purple Cassette has developed a distinctive fusion of sounds. Raw and ragged, poppy and exciting, they have been garnering fans across their country.
We all need hope in the face of adversity, Alexander Gallant share’s his words in “Fishes for the Seabirds”
‘Sweet Tooth’ is Kilo Tango’s two-part, springtime song of self-destruction turned to challenging yet joyful redemption.
You know what? Yup. It tracks. In different forums, I have been hearing people debate
An intriguing juxtaposition of styles, The Life We Knew is ragged and wild but at the same time, undeniably majestic and graceful.
The huge chorus, with its stadium-ready refrain, feels pleasingly cathartic, but it leaves you wanting more.
Dystopia Gently debuts with a queer indie-rock single about the perils of infatuation.
Blending classic mythology with indie punk vibes, Vesuvian returns with the first track from their upcoming self-titled album
The debut single from Parisian multi-instrumentalist: Supremely rewarding sparkly, twinkly indie-pop with folky influences.
A superlative musical hybrid, “HELLO DENIAL” is a refreshingly fluid piece of work: A fierce, iconic, instant anthem for generations to come.