Album: i give my friends flowers – DOGSTAR 1
Through natural disasters, deaths, broken relationships and relocations comes DOGSTAR I, the first in a cathartic 2 album set from multi-instrumentalist and producer Jacob Klein.
Through natural disasters, deaths, broken relationships and relocations comes DOGSTAR I, the first in a cathartic 2 album set from multi-instrumentalist and producer Jacob Klein.
“Sometimes something as utterly and completely silly as a fucking goose can bring home all we’ve lost.”
On Negation of Negation, over a whirring, staticky noise-rock score, Chicago-based band, Funeral Plain proposes that destruction is essentially a form of change. And losing yourself implicitly raises the possibility that you will find yourself; and that when you do, you will discover nothing, or in lyricist, Jonny Gill’s words, ‘no-thing.’ This record argues, as Jonny Gill told me, that there is no innate being, just a continual process of becoming. But first you have to lose yourself.
Kallsup delivers a mystical, ethereal rock experience with “Chimär (GBG)”, transporting the listener to a cinematic dreamscape.
“January” is cinematic and dreamlike, pushing sonic boundaries without ever losing its sense of intimacy and melodic force.
Clear your calendar and spend time with this album’s intricate, fleeting, genre blending chapters.
christian medice’s “No Hands” feels like the anthem for any New Yorker.
Danny McGuire explores the profound complexities of yearning and loss in “Friends ‘Til the End,” a deeply touching and intimate indie ballad.
Bristol-based gumdrop merges post-punk energy with shoegaze textures in “germinate”, delivering a hypnotising and expertly crafted sonic experience.
Azure Rose shines on “Villains,” blending mesmerising guitars and a tight groove into an ethereal and deeply satisfying indie rock journey.
The second single from the Swedish dream pop band’s upcoming album gives the jangle treatment to the concept of living in a series of fleeting moments.
kinya has pulled off a cool trick – creating a song that is deceptively simple, but with a depth and complexity that dazzles as it quietly breaks your heart.
Nina Gi’s new single “500 days of summer” is set to be released on August
Guilty Party delivers an infectious, head-nodding breakup anthem with ‘Where Do We Go from Here?’, featuring brilliant musicianship and classic rock soul.
Idioteque returns with ‘If These Walls Could Talk’, an emotionally raw and incredibly creative track that balances vulnerability with an explosive shoegaze finish.
King’s Evil channels lofi intimacy and gritty melancholy on Private Failure, turning it into something more disarming than a typical love song.
I thought it was undeniably Paramora adjacent in the DNA- that same razor-sharp alt pop propulsion- but Irrevocable have their own thing going that is simply theirs.
“ALBUTEROL” encompasses everything that I love about the Nashville scene right now—exciting arrangements, grungey guitars, and the charming prowess of folk songwriting.
Lyrically one of the best things we’ve heard all year, the new tune from veteran Chicago musician Old Joy is striking, unexpected, and beautiful.
Evil Little Thing pairs raw textured vocals with nostalgic indie rock instincts on Get It Right, turning a simple structured tune into something that feels both vulnerable and driving.