EP: Axel Flóvent – Fleeing the Shore
The Icelandic indie folk-pop troubadour returns with a tender, folky hug of a record; the perfect remedy to the cold, harsh climate in which it was created.
The Icelandic indie folk-pop troubadour returns with a tender, folky hug of a record; the perfect remedy to the cold, harsh climate in which it was created.
A rootsy, genre-hopping blend of influences that bridges the decades and is full of swagger and soul.
Unforgiving Ground isn’t just the casual listen; take a day to let it inhabit within you.
Shrouded in as much mystery and ambiguity as they are guitar effects, the new tune from Irish multi-instrumentalist shy is a shimmering daydream of a song.
Sorry Baby is a New Post Punk aggression out of California, and earlier this month
Short and sweet, Sean Gunner Lee’s “Swimming Laps” stands out, mostly, for its approach to shoegaze.
Munich-based Lener channels futility in doomed relationships in a brand new single that sings like a slap to the face.
New Orleans ska/reggae rockers release their sophomore record after six years, picking up where they left off with a masterpiece.
On their third full-length record, City of the Sun celebrate their growth as musicians of the world, using global influences to tell stories through their songs.
Centred around some over-the-top but also obviously rather tongue-in-cheek catastrophisation, the new tune from Ranting is a uniquely English affair.
The new EP from emcees Aigerue and Mikey focuses on true healing, which feels like a revolutionary act in today’s world.
Copenhagen trio’s debut single, though a sonic onslaught, takes tender steps to showcase the intimacy and distance present in fledgling romance.
The Italian dream pop duo from Wales returns with their second single of 2026, capturing through springy synths the tension at the end of a relationship.
ELIKSA puts themselves on the map with slacker rock from Brighton that transports the heads of “escape artists and daydreamers” to new heights in the clouds.
With a distinctive style, Albert Hertz has made a high concept piece of art – existential crisis and deep despair disguised as a catchy indie pop song.
Thin Lear’s Matt Longo taps into the otherworldly to process loss and loneliness on a superb yet bittersweet sophomore album.
With a sonic palette that’s heavily indebted to the 80s, this husband and wife duo have crafted a beguiling blend that works ever so well.
This tender, atmospheric song wields lo-fi textures and vibrant charm to evoke a pitch-black nursery room, and the overwhelming love and joy within the haze.
A flamboyant, fabulous affair, the new single from the Austin-based multi-instrumentalist is accessible enough for the popsters but cool enough for the indie kids.