Single: Are We Hunting – Lepers
“Lepers” moves like a memory you’re still holding onto, with breezy, nostalgic guitars and warm and hazy vocals.
“Lepers” moves like a memory you’re still holding onto, with breezy, nostalgic guitars and warm and hazy vocals.
Smooth, psychedelic guitars and hazy vocals give “Weatherman” – a groove heavy track that leaves plenty of room to breathe – an out of this world feel.
“Trash Man” explores what it’s like to watch someone change over the course of a decade, but packs it all into less than two-and-a-half minutes.
The co-existence of accusation and regret as the lyrics change is masterful, and forms the emotional core of the song.
“Blue Drops” is a cohesive hodge-podge of shoegaze, dream pop, and indie rock, with a dash of folk that checks every box in my brain for a promising record.
Laura Ampersand’s “Middle” is an experiential sonic tale and experiential journey.
The indie dreamgaze rock band Stonefruit’s debut album Good News Only is an equal parts whispered confession and brave declaration of love.
Sancho Panzer’s newest nifty little track doesn’t reinvent the wheel, but even still, it will pique the interest of even the grumpiest music fan.
The soft indie renaissance is upon us, as the SoCal group’s second single drops a wistful ballad about the insecurities of growing up after grief.
The first single from the upcoming EP Star Falling is bright, fiery, and battles between the heavy crunch of guitars and the serenity of the synths’ rays.
Indie rap’s crime-fighting duo join forces again to drop their newest album, full of Rota’s rhymes, Lucca’s beats, and using music as medicine in the current climate.
The third record from Kevin F. Johnson’s songwriting outlet is rich with indie pop romance and introspection at the precipice of a new life era.
For anyone who has felt that they can’t quite fit in with society, “Face Down” makes the realization either more encouraging or more depressing.
In their new single New Day, UK-based indie-rockers The Swell take influence from those who
Deeply philosophical, this debut EP from the Swiss three-piece remarks on the passage of time through well-thought-out jangle-pop jams.
The Boston seven-piece brings on the East Coast punk, with a touch of California to make them stand out from the mold.
In one of his newest tracks since 2018, Fulton Lights blends Peter Gabriel-esque composition and Jewish symbolism into a personal and gripping opus.
The guitars get huge- the synth line expands- and the listeners experience euphoric energetic shoegaze.
Loud, fast, and completely unafraid of distortion, “Smútok ’97” throws you in immediately and never lets the chaos turn to noise.