Single: sage is alive – 58
With a unique and distinctive blend of elements ranging from math-rock to shoegaze, this debut sees the Charlottesville quartet get off to a promising start.
With a unique and distinctive blend of elements ranging from math-rock to shoegaze, this debut sees the Charlottesville quartet get off to a promising start.
Six years after their debut, Seattle ska-punk band Mister Blank return with an album that starts where you’d expect and ends up gloriously off the rails.
The St. Louis ska-punk band prove they’re as punk as it gets with their new tongue-in-cheek demo about punk stereotypes.
…a lyrically and thematically interesting and thought-provoking project that also has catchy tunes and addictive instrumentation.
“Cedar Street” is the focus of Stella Witz’s EP, “a year ago, tomorrow”, a self-written and self-released indie project out on November 6th.
Made with a pedalsteel guitar, layering harmonies, drums, bass, even a salt shaker, her sound is great for fans of Lizzy McAlpine, Adrianne Lenker, and Phoebe Bridgers.
The song starts with a lone guitar strumming, immediately setting the melancholy tone as Stella’s vocals join in, blending seamlessly.
It’s dark on Cedar Street, half past midnight
A stray cat climbs carefully up the traffic light
It’s quiet and it’s pretty in a peaceful sort of way
But it’s tinted with the hint of you the day after you passed away
Beginning to explore life after grief, there’s no dramatic declaration of heartbreak, but rather it’s communicated through the stray cat, flowers in the yard and the color of the ocean.
Baby’s breath and lavender still cover the yard
I walk the path you’d always walk after a day that was hard
The ocean has always been my favorite shade of blue
But it’s tinted with the hint of you after we gave you to the waves
The ending of the song is just as important, as it doesn’t offer a neat resolution. A year has passed, the cat is gone, and the street has become familiar again. But the narrator is still walking the same path.
The stray cat has come and gone, her path washed out by time
It’s quiet and it’s peaceful in a pretty familiar way
Tinted with the hint of you a year after you passed away
I walk the path you’d always walk after a day that was hard
This song to me feels like learning to live in a world that still reminds you of someone who is no longer there. It’s not necessarily about getting over grief, but about recognizing that someone can remain part of your everyday life through shared places, common routines, and memories they left behind.
Stella’s angelic voice was like a calming lullaby, and this song could’ve fooled me for one on the Billboard 100 list. She’s at the start of something beautiful.
Goldman shares how his first new album since 2018 came together, how spirituality inspired him throughout the process, and how it feels to be creatively restored.
A beautiful song that not only sets Cloudbelly on a snowball of success, but will also draw in any listener sitting down to listen to their LP.
Probably the most unique thing we’ve heard all year, this is fearless music-making at its finest. Embrace the chaos.
If you love the offbeat charm of indie and the bombast of stadium rock, don’t tie yourself in knots looking for your next favourite tune – it’s right here!
An ethereal, nostalgic shoe gaze track haunted by echoes, Big Cove’s “Matchsticks” transports you to an otherworldly place.
“IceBreaker” finds the good in bad people and the bad in good ones, and it sounds like you’re standing front row while it does.
Britain’s best-kept songwriting secret returns with a tender and witty acoustic number, ably assisted by an assorted cast of talented helpers.
Idols makes you live through love, heartbreak and pain but serves it in a dreamy sound to soften the blow.
We’ve all chased the thing that was supposed to make us happy, only to find another one waiting behind it. “Soon” turns that endless chase into a song.
Sky Is Alright’s eight new shoegaze tracks shine a light on dark emotions, and help honor the memory of those we mourn.
The lush production keeps the immediacy of an actual for-real rock band, which is more rare than it ought to be.
Written in a basement but built for a rave in the middle of nowhere, “Afterglow” would have you dancing until you don’t feel anything else.
A brush of fantasy with the grit and grime of the underground.
Ever wish you could meet someone again for the first time and do it right? “Take the Blame” sings that wish out loud, and it sounds as soft and sad as it feels.