Album: Thin Lear – Many Disappeared
Thin Lear’s Matt Longo taps into the otherworldly to process loss and loneliness on a superb yet bittersweet sophomore album.
Thin Lear’s Matt Longo taps into the otherworldly to process loss and loneliness on a superb yet bittersweet sophomore album.
Setting words of heartbreak to smooth jazz turns cynicism into celebration on St.Arnaud’s third LP, their first as a full band.
Shapes Like People return with their second album, an evolution of the first, with jangle pop mastery hitting every hue, brightness, and shadow on the spectrum.
A post-rock, indie, shoegaze fusion, the ambitious new album from the Swedish rockers is a sprawling, audible adventure. This is music at its most powerful.
Shifting between genres but full of energy regardless, Superintendo make their beautiful debut on Punkerton Records.
As someone who was there when lo-fi rock and pop started becoming a common thing
Therein lies the brilliance of Frog: a coy, sleight-of-hand songwriting that launders longing through desire, dread through humor, and profundity through crassness—all neatly packaged into infectious, instant-classic tunes.
Carsie Blanton’s new album features outrage and the outrageous. It is absurdity as a response to a diabolical but absurd world.
Air Mail’s new album is pleasant and enjoyable little jaunt through precious songs that capture the feeling of an impressionable journey.
A couple years after their debut and with the world at least twenty times worse, Empired return with an album speaking more truth to power than ever before.
Entirely live-tracked, the second album from the Brooklyn “power disco” quartet is full of immaculate vibes and impressive musicianship.
Dreamy synths, glittering guitars and woozy electronic textures combine to make an evocative album full of gentle off-kilter lullabies.
Kvisa, in Hebrew – כביסה – means “laundry” or “washing”. I did not know that
Sweden’s Bleak Streak rave on about the lowest lows of life with punk rhythms written to raise your spirits, regardless of the lyrics.
The Pretty Flowers’ third album uses the ideas of space and community to produce a big sound, one more massive than the sum of its parts.
The Milwaukee dream gaze band’s debut album sequences lush synths into a symphony for introspection.
A polished tapestry of guitar-driven bedroom pop, 90’s slacker indie, and 60’s psych-pop whose effect lands softly, vivid in its impact but blurred at the edges like a memory.
On Vol. 2 of The Phone Booth Sessions, Mindy Gledhill continues her talks with her inner adolescent, weaving the edges and roughness of her younger days into her music.
Jacob The Horse’s brand of punk blares triumphant, a fanfare to stir the heartstrings against an unjust society.
ELROD’s new album crafts a complex sonic portrait — dark, enchanting, magical and haunting — all with succinct brevity.