Single: Vesuvian – Fortunate Death
Can dying really be this fun? Can a blood sacrifice to ensure a good harvest really be what we’re looking for? To Vesuvian, the answer is a glowing red ‘Yes!’
Can dying really be this fun? Can a blood sacrifice to ensure a good harvest really be what we’re looking for? To Vesuvian, the answer is a glowing red ‘Yes!’
On the lead single from their upcoming debut LP, Paycheque add a layer of gloss to symbolize making the best out of the bad situations that come with life in LA.
Drawing influences from groups like My Bloody Valentine, Whirr, and Title Fight, Visszaváró is the latest release by Hungarian shoegaze band GULU GULU.
A cacophonous noise and a shot in the arm: “Twinkle” is an audible odyssey that won’t be easily forgotten.
Hockitay’s second single sounds combines many influences, yet the resulting work feels — ironically — quite unlike anything else.
With a considered musical motif that’s present – more or less – throughout the entirety of the song – this distinctive, compelling, captivating stuff.
Drenched in fuzz, this is a sonically adventurous rock n roll smorgasbord that touches on alt-rock, nu-metal, grunge, shoegaze, and more.
“Watery Road” is a spark of child-like wonder—a song that feels at one with the river on which it was conceived.
Denmark’s Opah tells a classic love story through their latest single “Stay.”
Channeling mid-2000s shiny pop and vulnerable lyrics, the title track from Elizabeth Ziman’s sixth album will attract new listeners to her two decades of work.
More poppy than expected, but still retaining indie punk power, Super Cassette and Pacing team up for a delightful new single.
If I didn’t know they were from Germany, I would definitely put them in the Midwest emo genre, inspired by bands like American Football, but I am so excited that American emo came to Europe in a fresh form.
There’s a willingness to put yourself out there, a not worrying about seeming so damn cool that puts the listener on his side.
Melbourne alt-pop contrasts a catchy guitar and bouncy beat with timely lyrics calling out toxic masculinity.
Khyla Granstrom’s second single will punch you in the face and heart with vocal layers singing of vulnerability and lingering trauma.
The lead single from Taschuk’s debut LP features beautiful grand piano melodies and a saxophone solo that elevates the track in the final minute.
Renowned Swedish duo Club 8’s sparkling third single of the year is here.
An intriguing juxtaposition of styles, The Life We Knew is ragged and wild but at the same time, undeniably majestic and graceful.
Seattle’s underground continues to push shoegaze into heavier, more textured territory, and No Floor are right in the middle of it.