Single: Bucket – No Guitars
Nobody can fill Pavement’s shoes, but these Massachusetts basement rockers come as close as anyone can, wielding powerful guitars, a concise arrangement, and caustic-yet-insightful lyrics.
Nobody can fill Pavement’s shoes, but these Massachusetts basement rockers come as close as anyone can, wielding powerful guitars, a concise arrangement, and caustic-yet-insightful lyrics.
Charlie delivers a low-key masterpiece; a love song shrouded in self-doubt, hesitation, and heartbreaking longing that takes us into a spiritualized other dimension.
If love is a detour, then show me the orange signs, traffic barrels and arrows, because this track undoubtedly gets us to the destination!
Sleepy’s first single since 2020 works equally well whether you’re driving down a long road in the dark or sitting on the porch with a drink in your hand.
It’s not easy to transform some sort of challenging emotional loss into a positive, upbeat, highly addictive indie dreampop beauty, but atmos bloom have done just that!
The little hiss seeping out of sam’s amp warms up the mixture of cynicism, practicality, and matter-of-factness that lyrically smack you in the face.
One could reasonably wonder if such a short song can hold its own as a single and the short answer is, ‘Yes.’ This is minimax songwriting at its finest.
Frankly, this is current indie music at its best: it breathes; it applies tasteful effects to the guitars without being showy; it provides plenty of changes without coming across as pretentious.
‘Sweet Tooth’ is Kilo Tango’s two-part, springtime song of self-destruction turned to challenging yet joyful redemption.
Can dying really be this fun? Can a blood sacrifice to ensure a good harvest really be what we’re looking for? To Vesuvian, the answer is a glowing red ‘Yes!’
These Baltimore bones are anything but still; the skeletons at Druid Ridge Cemetery are dancing, ‘cuz this track rocks!
There’s something special about this two-song, ten-minute EP from figure eight, Oakland’s optimistic ambient doomers. (Can we make that a new genre just for them?)
Stretched out vocal lines, bitter electric guitar, a hypnotic acoustic/bass/drum loop, and wobbly background organ all drive this 6-minute daydream form Queens-based Hiding Places.
Delectable slide guitar smothers this song like dripping hot fudge on your Midwestern summer evening sundae treat.
“Versions” is an evolving piece full of unexpected buried treasures, so pay attention till the end.
Sun Era follows up its 2025 single “Birds” by dropping a driving song that’ll help us get through another dark winter and roll our way into the springtime.
‘The tiny wave’ is a hit in a different quantum existence, where good music is cherished and autotuned pop-nonsense is never made.
A gentle, subtle, flowing, hypnotizing, engaging song featuring a phantom with long-term vision, empathy, and