Album: Carsie Blanton & the Burning Hell – Everything is Great
Carsie Blanton’s new album features outrage and the outrageous. It is absurdity as a response to a diabolical but absurd world.
Carsie Blanton’s new album features outrage and the outrageous. It is absurdity as a response to a diabolical but absurd world.
Air Mail’s new album is pleasant and enjoyable little jaunt through precious songs that capture the feeling of an impressionable journey.
A couple years after their debut and with the world at least twenty times worse, Empired return with an album speaking more truth to power than ever before.
Entirely live-tracked, the second album from the Brooklyn “power disco” quartet is full of immaculate vibes and impressive musicianship.
Dreamy synths, glittering guitars and woozy electronic textures combine to make an evocative album full of gentle off-kilter lullabies.
Kvisa, in Hebrew – כביסה – means “laundry” or “washing”. I did not know that
Sweden’s Bleak Streak rave on about the lowest lows of life with punk rhythms written to raise your spirits, regardless of the lyrics.
The Pretty Flowers’ third album uses the ideas of space and community to produce a big sound, one more massive than the sum of its parts.
The Milwaukee dream gaze band’s debut album sequences lush synths into a symphony for introspection.
A polished tapestry of guitar-driven bedroom pop, 90’s slacker indie, and 60’s psych-pop whose effect lands softly, vivid in its impact but blurred at the edges like a memory.
On Vol. 2 of The Phone Booth Sessions, Mindy Gledhill continues her talks with her inner adolescent, weaving the edges and roughness of her younger days into her music.
Jacob The Horse’s brand of punk blares triumphant, a fanfare to stir the heartstrings against an unjust society.
ELROD’s new album crafts a complex sonic portrait — dark, enchanting, magical and haunting — all with succinct brevity.
Though each song on Special Friend’s third record is different, the duo has a signature sound that ties everything together.
Short and sweet, well-rounded and perfectly formed: Chicago songsmith Justin Sconza’s classic songwriting will put a smile on your face.
“It’s pretty underground, you wouldn’t know what that, uh, what that is,” jests “Parting Words”,
Elly Kace brings us ten new “sound medicine songs” for healing and release from the world’s many trappings.
How I Became Invisible isn’t a disappearing act: It’s a survival guide for a community.
kingcaid’s new album is a delicious smorgasbord of styles and genres, and is populated by a cast of distinct personalities.
Two of our Start-Track writers took a liking to How I Became Invisible’s new album,