Single: Sancho Panzer – Easy Answers
Sancho Panzer’s newest nifty little track doesn’t reinvent the wheel, but even still, it will pique the interest of even the grumpiest music fan.
Sancho Panzer’s newest nifty little track doesn’t reinvent the wheel, but even still, it will pique the interest of even the grumpiest music fan.
The soft indie renaissance is upon us, as the SoCal group’s second single drops a wistful ballad about the insecurities of growing up after grief.
The first single from the upcoming EP Star Falling is bright, fiery, and battles between the heavy crunch of guitars and the serenity of the synths’ rays.
Indie rap’s crime-fighting duo join forces again to drop their newest album, full of Rota’s rhymes, Lucca’s beats, and using music as medicine in the current climate.
The third record from Kevin F. Johnson’s songwriting outlet is rich with indie pop romance and introspection at the precipice of a new life era.
For anyone who has felt that they can’t quite fit in with society, “Face Down” makes the realization either more encouraging or more depressing.
In their new single New Day, UK-based indie-rockers The Swell take influence from those who
Deeply philosophical, this debut EP from the Swiss three-piece remarks on the passage of time through well-thought-out jangle-pop jams.
The Boston seven-piece brings on the East Coast punk, with a touch of California to make them stand out from the mold.
In one of his newest tracks since 2018, Fulton Lights blends Peter Gabriel-esque composition and Jewish symbolism into a personal and gripping opus.
The guitars get huge- the synth line expands- and the listeners experience euphoric energetic shoegaze.
Loud, fast, and completely unafraid of distortion, “Smútok ’97” throws you in immediately and never lets the chaos turn to noise.
Iskall [ice-cold] is maybe something that the lyrics say, but the song feels warmer. I really enjoyed the softer, dreamy side of the shoegaze this band is bringing in the latest offering.
The LA band’s first release in two years is a love letter to their community, reflecting the energy of their live shows and the emotional ups and downs of their music.
Reviving the best of indie rock, “Fine Line” offers a dark and intimate atmosphere, cautious apologies, and tension through overdriven guitars.
A wonderfully cathartic surprise. It’s a beautiful, elegant, mature sound that warms the heart and soothes the soul.
The guitar melody is what pulls you in first, slow and sweet, the kind of
song that can’t sit still, “Wired” slows down to admit something real, then picks up again before it has to sit with those feelings for too long.
On Vertigo, Dillon Jo creates an atmosphere of dizzying stagnation with one needle-point view of clarity. Even though everything is spinning, one thing is clear enough and just as unmoving as you feel: you shouldn’t go through with it, with what can kill you. You should get through it, that thing that is killing you.
Sonically and visually, elbowsway captures the bluntness of everyday survival against a backdrop of supernatural decay, looking at ‘the end’ as a clear-eyed, terrifying realization.