Single: Tennis Courts – Vanessa Carlton
Brooklyn-based Tennis Courts hit the motherlode on this driving, emotive and evocative rocker.
Brooklyn-based Tennis Courts hit the motherlode on this driving, emotive and evocative rocker.
Anthemic, widescreen, energetic, heartfelt and musically ambitious, Last Penny expertly ticks a lot of boxes.
The solo project of Japanese singer-songwriter Saku, this folk piece is infinitely endearing, endlessly charming, and as honest as it gets.
A brave, creative, cinematic fusion of components resulting in something that feels comfortingly familiar but also remarkably fresh and fiercely individualistic.
Deeply romantic “Paper Cranes” is full of ecstasy and delight while channeling Lana Leone’s dark shoegaze sound.
There’s a slow-burning production in the verse, but then the chorus becomes like a cathartic experience. With a thrilling soundscape, my brain felt the warm embrace of several great throwback acts from the 90s.
Ripping emo riffs and gut-wrenching lyrics from this New York band’s debut single may leave you in tears
Red Langur distills pop perfection and tragic self-awareness into three minutes that crawl underneath your skin.
The title defines the song: Glassy, liquid textures with a gentle blur around the edges make Paper Sister’s new single sing.
A finely balanced assortment of instruments accompany a tragic tune about dealing with heartbreak in a crowded room.
Slow, thick and very, very loud, the new tune from Feverishh is not here to fuck around. Dedicate four and a half minutes of your time and there will be no doubt.
Delectable slide guitar smothers this song like dripping hot fudge on your Midwestern summer evening sundae treat.
Catchy vocals, at once raw and diffuse, ride a hazy wash of jangle and grit in this instant classic banger that dares the listener to remain immobile, knowing full well that it’s already won the wager.
Piner is a wonderful addition to the women-led singer-songwriter golden age, and “Odelia” is worth many repeat plays.
From the first three seconds of that dissonant paralysis-demon chording, we know we’re in trouble.
Bug is so goddamn catchy I’m tempted to object to it being called shoegaze.
Nearly twelve years later, Andreas Grundel’s dreamy single gets new life to transcend new listeners
The chorused guitar, the heavy drums, the slow groove; it induces swaying, and it’s a hell of an earworm.
Bred during lockdown, Spiral is a tense, bewitching, introspective analysis of loneliness and anxiety and what can happen when we’re alone for too long.
“Versions” is an evolving piece full of unexpected buried treasures, so pay attention till the end.