Album: Carsie Blanton & the Burning Hell – Everything is Great
Carsie Blanton’s new album features outrage and the outrageous. It is absurdity as a response to a diabolical but absurd world.
Carsie Blanton’s new album features outrage and the outrageous. It is absurdity as a response to a diabolical but absurd world.
With a considered musical motif that’s present – more or less – throughout the entirety of the song – this distinctive, compelling, captivating stuff.
The Berlin-based trio’s debut EP is not a hyper-compressed, heavily produced artifact: It’s a little closed in, a little naked, and it rips.
Drenched in fuzz, this is a sonically adventurous rock n roll smorgasbord that touches on alt-rock, nu-metal, grunge, shoegaze, and more.
An intimate EP that leans into themes of displacement and solitude with polished production, rich instrumentation, and a heavy dose of longing.
“Watery Road” is a spark of child-like wonder—a song that feels at one with the river on which it was conceived.
Five flawless performances of simple songs; even with no new songwriting, Runaway Ricochet is still such an incredible band.
Denmark’s Opah tells a classic love story through their latest single “Stay.”
Channeling mid-2000s shiny pop and vulnerable lyrics, the title track from Elizabeth Ziman’s sixth album will attract new listeners to her two decades of work.
Three bands – Natasha Sandworms, Christina’s Trip, and Mox – team up to craft a soundtrack for driving down the Golden State’s winding highways.
More poppy than expected, but still retaining indie punk power, Super Cassette and Pacing team up for a delightful new single.
If I didn’t know they were from Germany, I would definitely put them in the Midwest emo genre, inspired by bands like American Football, but I am so excited that American emo came to Europe in a fresh form.
New Place have drawn from medieval botanical illustrations, archives, and 60s pop to craft introspective songs touching on human connection and detachment.
There’s a willingness to put yourself out there, a not worrying about seeming so damn cool that puts the listener on his side.
Melbourne alt-pop contrasts a catchy guitar and bouncy beat with timely lyrics calling out toxic masculinity.
Khyla Granstrom’s second single will punch you in the face and heart with vocal layers singing of vulnerability and lingering trauma.
The lead single from Taschuk’s debut LP features beautiful grand piano melodies and a saxophone solo that elevates the track in the final minute.
Renowned Swedish duo Club 8’s sparkling third single of the year is here.
Interlude warrants headphones and solitude, and even if that means canceling plans and hanging in for the evening, you won’t regret it.