EP: Farmar – Can I Be Your Friend?
The new EP from Austrian award-winning songwriter and composer takes risks and never ceases to surprise and captivate.
The new EP from Austrian award-winning songwriter and composer takes risks and never ceases to surprise and captivate.
Brooklyn-based Tennis Courts hit the motherlode on this driving, emotive and evocative rocker.
Anthemic, widescreen, energetic, heartfelt and musically ambitious, Last Penny expertly ticks a lot of boxes.
The solo project of Japanese singer-songwriter Saku, this folk piece is infinitely endearing, endlessly charming, and as honest as it gets.
Two of our Start-Track writers took a liking to How I Became Invisible’s new album,
A brave, creative, cinematic fusion of components resulting in something that feels comfortingly familiar but also remarkably fresh and fiercely individualistic.
Deeply romantic “Paper Cranes” is full of ecstasy and delight while channeling Lana Leone’s dark shoegaze sound.
New wave shimmer and post-punk urgency on “inspirational” feel like dancing through the pain, where groove and melancholy coexist.
The new album from parallel is hazy, distinctive, melancholic and a resounding success.
Legroom is crammed full of chugging riffs and elegant motifs, with more light and shade than a Renaissance painting.
There’s a slow-burning production in the verse, but then the chorus becomes like a cathartic experience. With a thrilling soundscape, my brain felt the warm embrace of several great throwback acts from the 90s.
Ripping emo riffs and gut-wrenching lyrics from this New York band’s debut single may leave you in tears
Olive blends her soul, jazz and blues influences to create an album that is destined to become a modern classic.
Red Langur distills pop perfection and tragic self-awareness into three minutes that crawl underneath your skin.
The title defines the song: Glassy, liquid textures with a gentle blur around the edges make Paper Sister’s new single sing.
A finely balanced assortment of instruments accompany a tragic tune about dealing with heartbreak in a crowded room.
Slow, thick and very, very loud, the new tune from Feverishh is not here to fuck around. Dedicate four and a half minutes of your time and there will be no doubt.
Delectable slide guitar smothers this song like dripping hot fudge on your Midwestern summer evening sundae treat.
Catchy vocals, at once raw and diffuse, ride a hazy wash of jangle and grit in this instant classic banger that dares the listener to remain immobile, knowing full well that it’s already won the wager.
Piner is a wonderful addition to the women-led singer-songwriter golden age, and “Odelia” is worth many repeat plays.