“Cut” is almost jarring in its experimentation – its auto-tune laden and I struggled to hear through the synthesised and electronic elements that shaped the sonic world of the song at first, but I came to realise that it made me pay attention more. Leilani’s fierce take on this song is interesting and creative, also displaying their self-assuredness and confidence in trying uncharted territories. The abstract production and vocals also allow for the narrative to be told in a way that grabs and holds the attention of the listener.
“This song is about being kinda bad at breakups. I would have done anything this person wanted of me if it would just make them happy. And if it meant I had to hurt them over and over in little ways, if they wanted me to say what they didn’t want to hear, if they wanted me to run when they lashed out, I would do it. It wasn’t from accepting it, it was just me chasing the next thing to prove them right.” – Leilani Pataeo (they/she)
Leilani Patao’s upcoming EP daisy, out November 7 via Audio Antihero, marks a bold step in both sound and self-determination. Known for their raw lyrical honesty and aching vocal tone since debuting at 17, Leilani has steadily carved out a space in NYC’s underground scene. With daisy, they push further into experimental territory, layering effects and textures that challenge listeners to seek emotion in the fragments. The EP’s refusal to participate in streaming platforms reflects Leilani’s desire to reclaim agency over their music and its distribution, asking pointedly whether it’s possible to share art ethically in a system that often undermines artists.
Written by Nthatile Mavuso
