The Philadelphia-based label Born Loser Records, known for its roster of talented artists including JW Francis, Jaguar Sun, and Cathedral bands, is thrilled to announce the signing of a fresh new band to their lineup. To commemorate this exciting milestone, the band, known as The Goon, is set to unveil a captivating single titled “Death Spells.” A press release has provided further insight into the song, hinting at its intriguing themes and musical depth:
“The song was recorded over a two-week period in October, also with Claire Morison. Coming off a difficult time in his life, Becker felt it important for the whole band to present for the recording, even inviting his old friend (and the band’s original guitarist) Drew Eccleston to sing harmonies. After spending over a year on the forthcoming full-length, Becker wanted to record quickly, running on a pure burst of inspiration. “I wanted everyone to play on this one,” says Becker. “It feels really special, and comforting. The way your friends gather around you in tough times, when you’re hurting, to make music together.”
The press release delves deeper into the details:
“A deceptively quiet song at first, “Death Spells” sneaks amongst the foliage, carrying a note of warning. “Death spells are coming down/Don’t go outside,” sings Becker, “Helpless for higher ground/Helpless to hide.” Peralta’s resonator guitar plinks banjo-like over Becker’s acoustic guitar, rising from the hush. “The air is thickening/Nowhere to fly/Songbirds are suffering/Plucked from the sky.” Other instruments join the mix of electronic chirps, a xylophone, what sounds like wind chimes, vocal harmonies—as Becker’s voice rises, cutting to the heart of the song: “Here’s the knife/Belly is waiting now open wide.” Not content to be merely a death dirge, the song opens itself as the instruments swirl, the volume rising, the music gaining urgency. “Well wake up,” sings Becker, “feeding an inclement fire little pinecones.” The drums alter their beat, growing steadier, the xylophone ringing out a new melody, backed by the piano and guitar, as the song achieves its climax. It’s an invocation, a refusal to give up or give in to the melancholy, building a small fire to warm oneself.”
The previous text painted a vivid picture of the song, so I won’t delve too deeply into a description of this hauntingly beautiful, dreamy folky indie rock piece. What struck me most was the way the instruments came together to craft a mesmerizing melody that enveloped me completely; I found myself getting lost in its layers and repeatedly pressing play, unable to resist its allure. The accompanying music video features stunning imagery of nature that enhances the auditory experience, creating a profound connection between sight and sound. I encourage you to give it a listen; I guarantee you’ll find yourself wandering into its enchanting world just as I did.
Written by Filip Zemcik
