Described by the band as an alternative pop-rock song, to me, this tune sits firmly in pop-punk territory – and, frankly, I couldn’t be happier.
I recently started DJing at a recurring night called Elder Emo Club at a fantastic South East London venue called Home Deptford, spinning a variety of emo, pop-punk, rock, metal and more. This would fit right in there, and you can bet your bottom dollar that I’ll be playing it at the next one (on Friday 13th November – as you asked!)
Like a heady blend of heavyweights like Sum 41, Taking Back Sunday, Biffy Clyro and The Used, Party’s Over is imbued with the spirit of those that came before. There are loads of comfortingly familiar touchpoints but also, importantly, an abundance of individuality.
The balance of elements here is absolutely spot on, with nothing coming across as out of place or overblown – shout out to Kieran Krebs on production, mixing AND mastering duties (busy boy!)
Joey Rodriguez is the star of the show here. Leading the band on both vocals and guitars, he sounds every bit the frontman. Delivering both whimsical and bittersweet lyrics in a manner that sounds as angry as it does sincerely disappointed. The lyrics range from ruminating over regret to casual almost throwaway observations, but they all come together to make something that feels instantly unforgettable.
Joey is backed up by Joe Fisher and Nick Alzate on bass and drums respectively, who, I must say, do an absolutely stellar job of anchoring everything – as any good rhythm section should do. I’m also reminded of the effective relationship developed between the three members of Toronto trio BBQ Pope (perhaps most specifically their song Pop Punk Song From 1994).
This Dallas three-piece has certainly done their homework. Prepare to be schooled.
Written by Black Rainbow Collective
