Vsemag’s debut album, Desetina resnice (A Tenth of the Truth), marks a good first chapter for this father-and-sons trio from Slovenia. The band’s music is a fascinating blend of two generations’ approaches to sound, merging structured melodies with experimental forms. Their mix of jazz improvisation, post-rock, shoegaze, and ambient electronics creates an atmosphere both nostalgic and refreshingly modern. This collaboration between tradition and innovation is what gives the album its unique identity.
The standout track, “Oce,” feels like the emotional heart of the album. Its soothing tones and understated guitar lines evoke the melancholy of a Spanish telenovela, yet its layers suggest a deeper narrative waiting to be unearthed. Tracks like “Sinova” embrace experimentation, with ambient sounds of nature taking center stage in a way that challenges conventional listening. These moments of sonic risk may not appeal to all listeners, but they showcase the band’s willingness to push boundaries and different perspectives.
While the first half of the album shines with complementary instrumentals and an inviting ambience, the latter half ventures into more abstract territory. Tracks like “Zvito oko” make an impression with their low vocals, though they occasionally feel overshadowed by the overwhelming instrumentals. This balance between vocals and sound is an area where the band could explore further growth, perhaps leaning into their narrative potential more overtly in future projects.
Overall, Desetina resnice is a strong debut that highlights the trio’s ability to blend diverse genres and perspectives into something both melancholic and addictive. While the ending tracks feel a bit disjointed, the album’s ambition is undeniable. It will be exciting to see how Vsemag continues to evolve, especially if they lean into more vocal-centric compositions and expand into other genres.
Written by Nthatile Mavuso