OTTO MOSS is the creative endeavor of Ryan Christopher McLaughlin, who is not only an innovative experimental producer but also the founder of Silver Lab(s). Recently, we shared his captivating bedroom folk project released under his name, and now we have the pleasure of introducing his latest EP from his electronic experimental indie music venture, which marks a significant evolution in his artistic journey.
While I must confess that my taste doesn’t typically lean towards electronic music, and neither do some of our writers, I found myself drawn to this EP due to my admiration for Ryan’s other work. The press release provided fascinating insights into Ryan’s artistic inspirations and his diverse portfolio of projects. From the folk-inflected melodies of Typefighter to the immense, introspective soundscapes of Polyon and the high-energy chaos of Joy Buttons—now notably included in the DC Punk Archive—OTTO MOSS has expertly carved a path into new musical territories.
The experimental electronic EP titled Sweatshirt, Melancholy is characterized by a return to a more minimalist and atmospheric production style. This transition highlights Ryan’s dedication to embracing and amplifying the voices of others while simultaneously establishing his unique space in the musical landscape.
I thoroughly resonate with the notion that this EP is a beautiful, atmospheric sonic journey, showcasing a rich tapestry of layers and sounds. It’s evident that Ryan’s artistry shines through, and I’ve savored every moment of listening to it. The beauty of the EP lies in its gentle, enveloping beats and a variety of melodies that intertwine seamlessly, creating an experience that is both immersive and evocative.
Despite my usual preference for guitar-based music, I find myself genuinely enjoying this electronic offering, which encourages me to venture beyond my self-imposed genre constraints. It’s a magical listening experience that isn’t overwhelming; instead, it presents a well-crafted collection of music that feels both intimate and expansive.
If you’re still hesitant, I highly recommend exploring his bedroom folk project as well, which we’ve previously covered on this blog. Even if electronic music isn’t typically your cup of tea, you’d likely appreciate the authenticity and artistry of his other work. I must admit, however, that I adore both projects equally, as they each showcase Ryan’s versatility and profound talent as a musician. With this EP, I find myself excited to give electronic music a second chance, and I encourage you to join me in this exploration.
Written by Filip Zemcik
