Ryan Christopher McLaughlin, who operates under the stage name OTTO MOSS, is a talented songwriter and producer hailing from Baltimore, though his musical journey began in the vibrant streets of New York City. McLaughlin showcases his artistry through two distinct musical projects: his reflective bedroom folk, which he performs under his own name, and the more experimental OTTO MOSS, which leans towards lo-fi hip-hop and electronic genres.
While both projects highlight his diverse musical capabilities, it’s the honest and introspective acoustic album that truly resonates with me on a personal level. The album exudes an overall lo-fi aesthetic that adds a warm, inviting touch to the songs, resulting in an intimate listening experience. Each track radiates energy, and certain songs even incorporate folk rock elements reminiscent of bands like Mumford & Sons, making them accessible to a wider audience.
One aspect that stands out to me is the authenticity in McLaughlin’s songwriting. The lyrics are deeply personal yet universally relatable, drawing listeners into his thoughts and emotions. Additionally, the production quality of the album reflects his experience from the OTTO project, showcasing his ability to weave intricate soundscapes that complement the acoustic elements beautifully.
Throughout the album, there’s a wonderful dynamic as McLaughlin effortlessly shifts between melancholic melodies and more upbeat, catchy tracks. This variety keeps the listener engaged and adds depth to the overall collection, making it a rewarding experience from start to finish.
Overall, I’ve thoroughly enjoyed the journey this album takes me on and eagerly anticipate what McLaughlin will explore next in this side project. It’s clear that both his songwriting and production skills are evolving, and I have no doubt that many of our readers will find joy in this compelling collection of music.
Written by Filip Zemcik
